Welcome back to your television serial making guidelines. If you will need a recap we had already seen the fixed types of necessities like storyline, characters or sets. Now let's proceed to moving ones.
The Story and Dialogue Writers: Having just one writer is a risky proposition. You should ideally have a table of writers, if one doesn't blow out of his/her mind the others deliver. The endless storyline needs an equally endless supply of dialogues to continue the show episode by episode. In a certain scene you will need to create the most possible dialogues and with this the board of writers would come as a bonus. If they quarrel over it, that's only natural, maybe you get a brand new twist-wish idea to include new angles-triangles or you will want to even a hyperbola in the story that may again generate new streams of dialogues. You will need to keep a wristwatch on viewers too; boring them now and then is okay, but you have to never drive them mad. The channel producers, remember?
The Director: When you are the director you ought to be the toughest nut to break. Okay it is your baby and naturally you prefer to be the leader and friend-philosopher-guide. In actual practice you have to be a ruthless dictator taking decisions unilaterally and respecting no one however the channel producers. If your particular character actor is creating problems s/he must get killed in the serial; on the demand of the producers a dead character may have to be brought alive; many others may have to be replaced; ushering in a time transition or injecting one and more absurd characters in to the serial; and, so on. Every one of these situations demand your decisions only. Kundali Bhagya Today Episode We advise you to help keep a couple of episode directors too as is the case in lots of soaps. We've good reasons. First, one director is directly identifiable and is a sitting duck for irate viewers, if any. Second, the endless monotony may be too much for you personally and you may lose your sanity. Third, as for the channel producers the buck will always stop exclusively at your end only.
The Time Pass: This time around pass is from the viewpoint of serial makers, not viewers. Making an endless serial is generally not very easy. So you have to continue creating rooms for frequent time pass tactics. You get it done insurance firms merry go rounds of dramatic reaction shots parading all of your characters in the hall that may get you over one or more episodes; insurance firms dialogues that never cease; giving extreme shock treatment to one or more characters who lose their capability to speak and communicate only through loud music that may last as much as one or more episodes; by bringing in absurd characters and making their stories count; and, by the like.
Conclusion (?): Since each one of these guidelines are enforced relentlessly some normal doctrines like good wins over evil get neutralized. Evildoers in serials continue doing evil that may include even murder as police authorities are never called in, because entry of police may veer the serial to a logical end. You simply compensate by creating temporary relief measures now and then. Thus, the antagonist becomes the key to the success of endless serials. At the receiving end we are able to only try get used to it.
So, make your serial in India and have endless fun!
No comments:
Post a Comment